The last book of The Hesiad triology has been published. The book is the end of a series of books which took years to complete, and the beginning of a new series, with a new theme and a new story.
The Herocracies discusses the incarnations of the main character of the series in order to complete his destined task as foretold by the fortune teller in the ancient scrolls. In many ways the book paves the way for the new series, The Apolliad. The Herocracies marks the end and the beginning, the big crunch, before the big bang of a new golden age.
The new book, The Apolliad: Le Chanson de Soleil builds on the strengths and the achievements of the previous series. The main character goes through an incarnation that achieves a culmination between an ancient past that ceased to exist many years ago, and a volatile present in order to lay an anchor for a golden kingdom that has been sailing for so long.
This book is a very long journey that started over 20 years ago. Then I had to start it again, then again a few years ago. Eventually I managed to put it together last year from pieces, notes and miscellaneous writings. It was a tough process, but the book or part I of the trilogy is published now.
I still don’t know what all the controversy that surrounded the time before the publication is based on.
From the press release:
‘Rich, powerful and lyrical verse inspired by the mythical origins of the gods of Egypt. The book traces the return of the ancient Egyptian god, Horus, in human form after an ancient battle and how he navigates his way through contemporary life through a series of incarnations. This is the first book in a trilogy.’
I don’t usually add pieces here on things that I tend to slot in the personal category but this month is probably the busiest and the best I’ve had in a few years. I have been awarded the doctorate with minor corrections and have been hired by the University of Leeds as a Teaching Fellow in Drama and Postcolonial Literature. In the mean time cheers to January, let’s keep on rolling!